Tagged: myth

Verbalise at the Brewery

Last night was my third reading in a week, returning to Verbalise in the Brewery Arts Centre in Kendal. It was a quieter night, after a couple of busy ones, but I enjoyed it. I read from The Hollows for the first time – a draft piece about exploring something like a haunted house, which was a lot of fun to read. I also brought out a couple of older pieces for the first time. Books Like Grains Of Sand and Tank Trap are both flash stories in Marrow. I’ve never read them before, as I’ve always thought they were too weird, too abstract for performance. But after what happened with Dora and The Sea Tiger this week, I also wanted to draw a line in the sand for myself – to remember that magic and wonder is why I write. I’m not going to be scared of reading those pieces anymore. And in the end, I think they went better than I’d dared to hope. I’ve felt just slightly off the boil with my last few readings, but I enjoyed last night a lot. Dora’s given me courage. 

I also sold three copies of Marrow, which was lovely – I now have fewer than ten copies for sale, so if you want one, get amongst it while you can.

Next gig is at the end of the month in Lancaster – Working Title in The Three Mariners – be great to see some of you hobbitses there.



Joan Shelley at Penrith Old Fire Station

Last night, I had the second of three gigs this week, supporting Joan Shelley at Penrith’s Old Fire Station for Eden Arts and New Writing Cumbria. I rattled through new stories, Marrow stories and selkie stories from The Visitors. I think it went OK. I always misplace my critical faculties while reading. I simply have no sense of how it’s gone across, whether people have liked it, hated it, how long I was reading for – nothing. But I think, I hope, it went well. Here’s the space and me wittering on about something:

simon in penrith

The headline act was just fantastic. Joan Shelley’s low-key, heart-rending folk and country songs were absolutely wonderful, at once crystalline and compelling, delicate and beautifully raw. She was joined by multi-instrumentalist Colm O’Herlihy for a few pieces, bringing new depths into the sound. Banjos and guitars, foot taps, a box of harmonic tones. It was mesmerising.

Have a listen here:

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It was an honour and a privilege to share a stage with Joan and Colm, as well as a reminder to keep striving, to keep aiming high.

We drove to Penrith in dusk. On the way past Shap, we passed right beneath a gigantic murmuration of starlings – perhaps the biggest I’ve seen firsthand – curving and ballooning in twilight, speckles of black against the blue. We drove back beneath a full moon, trees silhouetted against the night, clouds above in grey and silver, an ocean lapping at the shores of the horizon. The mornings are beginning to bloom.

The Sea Tiger

Dora has a lot of favourite books. We try to keep them on her own wee bookshelf in her room, but as the days and weeks roll on after a big tidy-up, they inevitably gather in a strata by her bed. That teetering stack becomes an archaeology of her favourites. There are all sorts in there, but some books are never far from the top. Where The Wild Things Are. The Gruffalo, Zog, Room On The Broom. We’re Going On a Bear Hunt. The absolutely terrifying Tailypo. Mrs Gaddy & The Ghost. I Want My Hat Back.

Dora’s current favourite is called The Sea Tiger. We spotted it in Waterstones while we were in Scotland last month, and we couldn’t resist. It’s a extraordinarily beautiful book:

The dance

The Sea Tiger is Oscar’s best friend – his only friend. They do everything together. Where the Sea Tiger leads, Oscar follows. They explore, they have adventures, until a point comes where Oscar needs the strength to go alone. It’s a book about being brave.

To celebrate World Book Week, all the children at nursery were asked to bring in their favourite story. Dora chose The Sea Tiger without hesitation. We packed her off for the day, lunchbox and wellies, slippers and book. I didn’t think another thing of it until I came home that night.

‘Did everyone at nursery like The Sea Tiger?’

Dora thought about it, then remembered. Her face clouded over. ‘No. It’s a silly book.’

I was astonished. ‘What? Did someone not like it?’

‘They thought it was silly,’ she said, face scrunched into a frown.

I was dumbstruck. She was repulsed by her favourite book. Why would other kids have disliked it? Too weird? Too odd? Too magical? Compared to what? All the books she loves are weird and odd and magical. Children are weird and odd and magical. All that anarchy, that chaos, exploring and categorising this insane planet for the first time.

I’m not sure what I’m trying to say. I’ve been absolutely shaken by my daughter’s first true experience of shame. She was ashamed, ashamed of something that she loved. That’s heartbreaking. Three years old, and another step on the long path to adulthood checked off the list.

I read The Sea Tiger again, to myself. It is everything a children’s book should be. Surreal, wild, enchanting, transporting. It’s a book about imagination and courage. It’s a book about finding your own way. I thought of Robin Williams and that little spark of madness we mustn’t lose. I thought about what I write, why I write, seeking out those kernels of magic and madness and paying them whatever meagre tribute I can muster.

Dora wouldn’t even look at the book last night, but this morning I read it to myself until she came to join me. She was as entranced as ever, thrilled and enchanted by Oscar and the tiger and their undersea adventures. That helped, but I feel very much like it was a finger in the dyke, plugging up an overwhelming inundation of the ordinary, the acceptable, the normal. I hope Dora clings to her spark of madness. I hope she never lets it go. For her next years of play, of princesses and pirates, of dinosaurs and monsters and treasure and kittens, it’s up to Mon and I to nourish it, to feed it, to fuel the fires of her imagination. That is our role as parents: curators, not makers. But then will come the homework, the tests, the clothes, the friends and the not-friends anymore, Dad, the cycles of approval and rejection. When she leaves us, she’ll have to feed her own fires.

I know all this is melodramatic. I have always tended towards extremes, especially in my words, but that’s who I am. I hope we can give Dora both the space and the guidance to be whoever she is. And I hope, with every fibre of my soul, that she stays more a tiger than a princess.

The Visitors reviewed in Tor.com

I’m absolutely thrilled to share this review of The Visitors by the good people at Tor.com. It’s really weird, sometimes, when real life gets in the way, to remember that I wrote a book, that I’m writing another. Things like this are screams in my head of what I want to do. Reeling and delighted.

Dora’s first story

My daughter is three. This is her first story:

Once we went to steal the treasure from some pirates but they heard we were coming so did they did a big roar and scared us into a barrel. Then they went to our tree house and stole EVERYTHING. And we were stuck in the barrel which had lots of beasties in it. But then the beasties got out and the pirates were scared of the beasties, and they ran away. Then we took back all of our treasure, and all the pirate’s treasure, and we took it back to our tree house and made it tidy, the end.

Resolve (again)

It’s that time again. Last year, I cribbed together some resolutions. Looking back at them now, I’m quite pleased. The Hollows didn’t go according to plan, sure, but I’ve already talked about that, made my peace and moved on. I finished both Marrow and The Year Of the Whale, and I performed at Verbalise, Sprint Mill, Dreamfired, Bad Language and the Flashtag Short Short Story Slam. The only thing I didn’t tackle at all was writing and submitting more short stories. There simply wasn’t enough time on top of the chaos of everything else. Indeed, 2014 actually marked the first year since I started that I didn’t write a single short story, but that’s OK. I’ve been kinda busy.

People can be pretty disparaging about resolutions, but I’m coming to quite enjoy the process of making and sharing the things I’d like to do. Writing them out makes them more tangible, and leaving a record of what I’d like to do makes it more achievable. So here are some resolutions for 2015.

Climbing

I kept last year’s resolution, and started climbing again. Not all that often, I suppose, but more often than never. I’d like to do more of the same this year. I’ve started going for a few hours on Monday afternoons, after I’ve finished work, and that’s been a perfect fit with my week. My fingers are slowly beginning to toughen up, week on week, and those little successes feed into each other. I’ll take my climbing shoes to Thailand to do a little bouldering on the beaches, and I hope to get out on some Lakeland rock this summer – the Langdale boulders won’t exactly be quaking with fear, but they give me plenty to aim for.

Writing

Yup. Again. It doesn’t stop, does it? This year, my writing ambitions are twofold. Even then, the first part is for fun: I want to release another flash fiction collection, which will possibly be called Real Life. I’ve been doing a night class in graphic design, and that’s really helped with the various processes involved. Making books is fun, and it’s addictive. A lot of the stories are ready, but my flash fiction took a back seat in the second half of 2014, and I want to tighten up the whole collection. Even then, though, I mostly want to direct my flash fiction for reading aloud, which is where it works the best – there are dates in my diary for 2015, and I’m already looking forward to stomping my way through some stories.

The second thing is bigger. I’d like to finish a first draft of The Hollows. I had the same ambition last year, and it didn’t happen for a bunch of reasons I’ve moaned about already. But this year is different. I’ve cleared most of my film jobs, I’m not going to work on other big writing projects (unless someone pays me a lot of money, which seems unlikely) and that gives me the space to be a bit more structured with my writing time. In the unlikely event that everything goes to plan, then I’ll get a solid two days a week from February to start finding my way again.

The Hollows is proving exactly as tricky to navigate as the swamp I initially wanted to write about. My head is a zoetrope of ideas, all glass pots and ghosts, ashes and blackened timbers, lost keys and tarot. Mon and I are going on honeymoon this year – we’re going to Thailand with Dora – and I’ll be taking my notebook and my fountain pen. Spending some time away from the internet, away from screens, away from everything except the people I love best, will give me space to work it out with pen and paper. At the moment, I’m not even sure if I’m dealing with one book or two. I’m orbiting the right story, peering down between the clouds, catching glimpses of what it’s going to be… but I still don’t know what it is.

I use a lot of metaphors for talking about writing. The weaving of a tapestry, the nurturing of some unknown seed, the orbiting of a strange moon, the navigation of a swamp. It consistently amuses and baffles me how I find it easier to clarify my thoughts on writing using almost anything other than writing itself. The act of making marks, in ink or pixels, is excruciatingly simple. But getting them in the right order? Damn. That bit is hard.

Dora is learning to write. She knows her letters, and she’s trying to form them all the time, trying to construct a sense of meaning. She can write her name, and if I help, she’ll try her hand at anything. The other day, she wanted to write ‘moose’ against her picture of a moose. I spelled it out for her – M – O – O – S – E – but she ran out of room, so went back to the beginning for the last letter, so the final word looked like ’emoos’. I tried to show her the correct way to spell it, but she wasn’t interested.

There’s probably a metaphor for writing in there, too, but I can’t make that out either.

Resolutions, like word counts and climbing grades, only matter to the person who makes them. And – like word counts, like climbing grades – they only matter if you push yourself within them. That means weaving a tapestry – nursing a seed – orbiting a moon – navigating a swamp – or, sometimes – making a mark that matters to you, even if you get it wrong.

wisp

Happy New Year, folks.